Quote:
Originally Posted by Kevin Kuehn
I think on the RCA 11 Vert Lin is inside the contrast(center) control shaft. Height inside the tone shaft. Color killer threshold inside the vertical hold.
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That arrangement seemed to make more sense! It's easier to see the screen, sitting in front of it, instead of using a mirror.
It must've been a cost factor. The dual pots were more expensive, than the singles.