Quote:
Originally Posted by Electronic M
Maybe all it needs is a tweak to the color osc. I typically take a fully saturated color bar pattern, crank color level to max, set fine tuning to the weakest signal level where I can still make out the barberpoling then adjust the color osc to sync. If you can rock the channel knob and not loose sync with the fine tuning at the edge of passing color then you'll never loose color lock on normal content.
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I seem to get all the colors in there place on the pattern except for red it shows up in the wrong place while others are right on. And trying to adjust this I don’t know if I should have the color up and the tint control up these 2 things could add to the difficulty in trying to get the color right.