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Original NTSC would suggest following correctly the original color space and adhering to Illuminant C white. In addition separately the full chrominance resolution. This assumes later broadcast equipment up to the digital studio revolution and component 4:2:2 video became the norm.
I do not know how Ed would have claimed a DVD conveying the original NTSC broadcast format because the DVD itself normally would contain digitally compressed MPEG2 video, which I suppose would provide a signal that through a proper NTSC encoder could provide a higher luminance and chrominance resolution. And if the color space was accurately aimed at the original spec, that could be achieved as well.
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