Quote:
Originally Posted by miniman82
Studied the -9 schematic some more over the past few days, and made some realizations.
1. the video output tube is DC coupled to the CRT cathodes
2. the video output tube is AC coupled to the video amp tube via .1uf capacitor, with DC bias being set by the brightness control
3. between the amp and output is where the DC resto of the signal needs to happen
I going to be looking into this more in depth in the coming weeks, so if anyone has circuit specific input I'd love to hear it.
From what I've read, the black level must be reset before the beginning of each horizontal scanning line, and it's usually done during horizontal retrace. This is what makes the diode a bad choice, because it clamps the entire signal (including any sync pulses) to ground. What this means is that with a diode, the black level is being inluenced by the amplitude of the sync pulses, so you are not seeing 'true black'.
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1) There is some loss of DC at the coupling between the first and second video amps, but not completely.
2) There is also significant loss of DC coupling in the video output due to the capacitor-coupled contrast control in the cathode
3) DC needs to be restored at the output of the video output - but doing it there may negate the brightness control action, so something may need to be done to provide a brightness control - I can't remember how DC restoration was added in the Porta-color fix that was posted to Videokarma, but that may provide the solution - suggest looking it up.
4) you are right, theoretically, clamping to sync tips is not the best in case sync level varies, but it may be a practical solution if you don't mind readjusting the brightness control occasionally when you change channels. Back porch clamps are much more complex and require pulse drivers and very accurate timing to make sure they do not drift into clamping either partially on sync tips or partially on active video. The sync tip clamping is automatically self-gated on the most negative part of the signal.