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#31
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Quote:
JB, I found this reply to a post on an old VK thread: "Bonanza was processed by Consolidated Film Industries in Los Angeles. Not by Technicolor. They have always been Eastmancolor. Around 1990, Republic Pictures, the owner at the time of Bonanza, had new master prints made from the original Eastman camera negatives, which had faded slightly. They looked vastly better than they had in the past. These were 35mm. The printing negatives were worn out over the years from use and title changes, etc. Remember when Bonanza went into re-runs, and was retitled "Ponderosa?" I still have some film reels with the name Ponderosa printed on them in white lettering. Nice. I ran Bonanza in syndication for a number of years on 16mm film prints. They were always a bit reddish, but usually looked very nice on the air. Now, Bonanza is on digital product and is way-over sharpened up, to me. It almost looks gritty on screen. As for old TV film cameras, NBC used RCA chains. They needed regular attention, which I'm sure they got when someone complained about the lag issues. I can recall several times when I could see camera registration errors on network films. Our station used RCA TK-27, and TK-28 film cameras, and TP-66 projectors. These cameras were 'tweeked' weekly. They went out of service in the mid-90's when everything went to tape. I do miss film on TV." I have also read that Bonanza was shot in Technicolor and processed by CFI. Seems to be some room for confirmation on what color process was used and perhaps, over the show's run, that different color processes were used. -Steve D.
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Please visit my CT-100, CTC-5, vintage color tv site: http://www.wtv-zone.com/Stevetek/ |
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