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#24
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To digress a little bit, I am impressed with the setup procedure of the CT100 however. Because the matrixing is external from the CRT and R, G and B are DC restored immediately before the signals are applied to their respective grids, the setup was simple and effective: 1. Set Color Control to minimum. With brightness control maximum and contrast control minimum, adjust screen controls for a barely viable gray raster. 2. With a bright image, adjust blue/ green gain for white highlights. 3. Adjust blue/background controls for gray in low levels. I found after this adjustment, the resultant brightness range was ample and correct and the grayscale very good. Further digressing, with good DC restoration I feel I now have a better understanding why later monochrome sets had little or no DC restoration. With blacks firmly clamped, if the CRT limited beam current and/or high voltage supply is not up to reproducing high average picture luminance, picture blooming results. This and other CT100s I have seen appear very susceptible to this. You may set to haved good overall contrast and brightness on an average picture when a bright overall scene will cause the image to bloom out of focus and disappear. Watching in a darkened room with lowered brightness and contrast is fine. It is amusing to reflect on a an article I saw in "Wired" regarding the anniversary of the launch of the CT100. It included a republished current (1954) review of the CT100 and the reviewer complained about the soft and fuzzy picture. No doubt in comparison with a bright 21" monochrome set of the same period, the viewing of the CT100 must have been in less than ideal conditions with the brightness and contrast too far advanced! I am glad therefore I have the opportunity here to reduce rather than increase the brightness (black level). Last edited by Penthode; 01-05-2023 at 11:36 PM. |
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